Clarity measures how clean a diamond is, inside and out. Every diamond forms under enormous heat and pressure, and that journey leaves traces: tiny crystals of other minerals trapped within, feather-like fractures, clouds of microscopic pinpoints, and surface marks from cutting and polishing. Gemmologists call the internal ones inclusions and the surface ones blemishes. Together, they determine where a stone sits on the clarity scale.
Almost no diamond is perfectly clean. Truly flawless stones are extraordinarily rare and priced accordingly. For most buyers the goal isn't perfection — it's a stone whose imperfections you can't see, at a price that leaves room for the cut and colour you actually want.
The scale runs from Flawless down to Included, assessed at 10x magnification by a trained grader. In practice:
Two stones with identical grades can look completely different, because clarity is about placement as much as quantity. An inclusion tucked under the girdle or hidden beside a prong is effectively invisible once set. The same inclusion sitting directly under the table — the large flat facet on top — is on display every time light enters the stone. A dark crystal in the centre of the table will bother you far more than a larger white feather near the edge.
Colour counts too. Bright white inclusions blend into the stone's brilliance; black, dark or strongly coloured ones stand out. Type matters as well: a feather reaching the surface can weaken a stone, while a harmless pinpoint cloud in a VS2 is purely cosmetic.
Sparkle comes from cut, not clarity. A well-proportioned SI2 will out-perform a poorly cut VS1 every time. That said, inclusions do interfere with light — they scatter and block it, and a heavily included stone can look cloudy rather than crisp.
Cut style changes how much clarity you need:
If you're choosing where to spend, put the money into cut. It's the one factor that changes how a diamond looks in every lighting condition.
Under a jeweller's loupe at 10x, everything looks dramatic — dust, fingerprints, and inclusions you'd never spot otherwise. That's the point of the grading scale: it's a consistent, magnification-based measurement, not a description of everyday appearance.
Take the stone out of the loupe and look at it in ordinary light, face up, at arm's length. That's how you'll actually see it. A few practical checks:
For most jewellery — engagement rings, studs, pendants — the sweet spot sits between VS and SI. A VS2 or SI1 with a good cut and a sensible colour grade will look spectacular and leave budget for a larger stone or a finer setting. Step cuts deserve VS or higher; small stones in a halo or a pair of earrings are usually fine at SI, since little stones hide inclusions naturally.
Always ask to see the grading report alongside the stone and read the clarity plot — the diagram showing where each inclusion sits. It tells you far more than the grade alone, and a good jeweller will happily walk you through it under the loupe before you decide.